#basically i have A Lot of feelings about them
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Why are jockeys not supposed to look at smartphones?? will it make them heavier
No, of course not!
Itâll make them criminals
This is in reference to something I mentioned about a prominent female jockey leaving the sport over breaking smartphone usage rules. Nanako Fujita, who raced for Japan, was an excellent jockey with a promising career and international prospects. She was lucky, talented, and in a sport thatâs starving for public interest, popular. But she used her smartphone on a weekend, so on October 2024 she tearfully penned her resignation letter and left the sport.
Now, this is slightly more about Japanese sporting authorities than general horse racing practice, but itâs embedded in the idea that jockeys are inherently just such unscrupulous little bastards that they can only be prevented from cheating by locking them in hamster cages.
Going back to how horse racing is historically the province of organised crime, disorganised crime, chaotic crime, things that arenât crimes but should be, crimes that havenât been invented yet, and felonies; and given that it all happens for the amusement of billionaires and royalty, not noted for being generous and scrupulous; and given that - much like how claiming a hobby of âknittingâ is really a cover story for collecting yarn - horse racing is really an excuse to gamble;
Given all that background - thereâs always been a lot of anxiety about jockeys âfixingâ races. After all, theyâre historically treated as disposable and make inconsistent and indifferent money while entire fortunes are wagered on their backs theyâre in an obvious position to influence race outcomes, and there are unbelievable amounts of money at stake.
Thus, the sport feels that we have to assume that jockeys are simply inherently susceptible to bribery. In the UK, jockeys canât bet on any races and have to declare their mobile phone numbers to the horse racing authority, and have restrictions placed on where/how/what they can use smartphones for around the tracks. They canât bring a phone to work, basically. Which isnât too unusual in some professions. The idea is that jockeys with phones could communicate with each other or outsiders to change racing outcomes, or share information in advance before it can impact on the betting odds (like insider trading on the stock market.) this is not commonly practiced in other UK sports. Itâs a working condition imposed by anxiety about preserving the integrity of the gambling.
The Japanese licensing authority is more strict. The night before a race meeting, Japanese jockeys surrender their phones and go into separate quarters without lines of communication. So you might give up your phone at 9pm Friday night, enter a sort of corporate youth hostel, work for 2 days, and recover your phone on Monday. Nanako was caught using her phone during this period of sequestration, even though thereâs no evidence that she was using it for race fixing (another jockey caught for the same thing in the crackdown was making a restaurant reservation.) again, this level of control over personal communications isnât practiced in other Japanese sports! Even Japanese pop idols, famed for having restricted personal lives, donât risk getting pushed out of their job entirely for touching a phone.
Itâs about a lot of things, but the level of control exerted over jockeys is interesting to me! and speaks to their position as athletes who arenât the focus of the sport they do; of jockeys as the disposable pilots of things that are far more valuable than they are; of workers whose working conditions are unique; of sportspeople whose sport is defined by the anxieties of the rich about gambling; of people whose bodies are ferociously honed for a specific set of rules that donât even necessarily make sense; of a sport thousands of years old, one of the oldest continuous sports of human history, in which the humans who play it are invisible; of ancient once-immovable traditions colliding, in the 2020s, with renewed interest in animal and human welfare and renewed pressures to Perform for social media and everything changing in ways we canât see because weâre in the middle of them. Like when I say âone of the oldest continuous sports in human historyâ, as old as the domestication of horses, think about it for a minute and think how strange it is that the human athletes are this invisible, this disposable, this secondary to considerations. Why is it that youâve been forced to learn about football against your will all your life, and you never thought for a second about this. Isnât that wild? I think itâs wild.
(Disclaimer: Iâm really not an expert, just a mild fan, which is a bit unusual for my demographic; despite the sport being ancient and internationally known, it isnât very relatable to âpeople like us,â so this is kind of the first time anyone on tumblrâs really posted about having an interest in horse racing/jockeys. Iâm really not an expert and I barely follow the news and do NOT attend races or understand the stats/gambling. Itâs just that it was my first career ambition when I was 6, and itâs one of those things where literally no one else cares, so you get to feel like you have Secrets and a Unique OC.)
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I feel like a lot of folks who are only familiar with Phineas and Ferb via the memes get the impression that one of the show's central gags is about the titular characters gaslighting their sister, but that's not what's happening at all. They're generally 100% open about what they're doing, and lots of people know about it. Even their dad is frequently in the loop. It's the mom in particular who absolutely refuses to believe that anything unusual is going on, and while part of that is due to the evidence having a tendency to vanish right before she walks into the room, there's also a lot of refusal to entertain the possibility involved â heck, there are multiple episodes where the boys admit what they're doing to her face, and she just dismisses it as them doing a bit.
Basically, what's being sent up in the show is not "brothers gaslighting their sister", but "eldest daughter whose mother never believes her about anything, even when disbelief requires wilful blindness to what's happening right in front of her face". Which is still kind of a fucked up thing to be playing for laughs, of course, but you can see where some folks would find her worryingly relatable!
#media#cartoons#animation#phineas and ferb#candace flynn#swearing#phineas and ferb spoilers#spoilers
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can you do another one shot of introverted reader and extroverted qb Rafe and he just follows her around and still crushes on her and then he like asks her out or something you can make this in your own way
finally part two!! âą part one
as the self-defense unit wraps up, you and lana grab your things and head toward the locker rooms. the air between you is lighter now, the drills and awkward encounters behind youâfor the moment, at least. lana nudges you with her shoulder, her mischievous grin already in place.
âdid you see what happened to jason in the middle of class?â she asks, barely containing her laughter. âi mean, secondhand embarrassment doesnât even begin to cover it.â
you stifle a laugh, glancing over at her. âwhat did he think was going to happen? asking mia out in the middle of the drills? who even does that?â
lana throws her hands up dramatically. âexactly! like, dude, weâre learning how to escape a chokehold, and heâs over here trying to escape the friend zone. bad timing, jason. bad. timing.â
you snort, unable to hold back your amusement. âand then miaâs face? she looked like she wanted the ground to swallow her whole.â
âshe didnât even say anything! she just shook her head and walked away!â lana cackles, practically doubling over as she recalls the moment. âpoor guy stood there for a solid ten seconds, looking like heâd just been hit by a bus.â
âit was funny,â you admit, âbut also kind of sad. like, imagine building up all that courage just to get publicly rejected.â
lana shakes her head, still giggling. âi mean, yeah, i felt bad for him. for, like, half a second. but you have to admit, it was iconic. mia didnât even blink.â
you laugh, the image replaying in your mind, but then lanaâs smirk takes on a different edge. she gives you a sly look, and you immediately know youâre in trouble.
âspeaking of moments,â she begins, dragging out the words, âwhatâs going on with you and rafe cameron?â
your laughter dies in your throat, replaced by a groan. âoh my gosh, lana. nothing is going on.â
ânothing?â she echoes, raising an eyebrow. âgirl, he was staring at you like you were the answer to all of lifeâs questions. and donât even try to deny itâi saw it.â
you roll your eyes, trying to play it cool. âhe wasnât staring. he was just⊠focused on the drill.â
âfocused on you,â she corrects, wagging a finger at you. âi mean, i canât blame him. you two looked like the cover of some YA romance novel over there, all wrist grabs and lingering eye contact.â
âlana, oh my gosh, stop.â you shove her lightly, your face burning. âitâs not like that.â
âoh, but you wish it was?â she teases, wiggling her eyebrows.
âno!â you insist, laughing despite yourself. âyouâre so annoying.â
lana grins triumphantly, but before she can press further, you narrow your eyes and shift the spotlight. âokay, letâs talk about you and topper, then.â
her smug expression falters. âwhat about me and topper?â she asks, feigning innocence.
you mimic her earlier teasing tone. âoh, nothing. just that you were blushing a lot while you two were partnered up. and donât even try to deny itâi saw it.â
âi was not blushing,â she huffs, but her face betrays her, turning pink at the accusation.
âyou so were!â you shoot back, laughing. âand donât think i didnât notice how he kept leaning in to talk to you, all âare you okay? is my grip too tight?ââ
âokay, first of all, he was just being polite,â lana retorts, crossing her arms. âsecond of all, youâre deflecting.â
âam i, though?â you challenge, raising an eyebrow. âbecause it sounds to me like someone has a little crush.â
lana groans, throwing her head back dramatically. âfine! whatever! heâs cute, okay? but heâs also topper thornton, which means heâs probably, like, ninety percent annoying and ten percent tolerable.â
you smirk. âsounds like someoneâs trying to justify their feelings.â
âand it sounds like someoneâs avoiding the fact that rafe cameron was basically undressing them with his eyes,â she fires back.
the two of you dissolve into laughter, your playful banter echoing down the hallway. for all the awkwardness of the class, you canât help but feel grateful for moments like thisâlight, ridiculous, and completely you.
itâs been a week since the self-defense class, but youâd be lying if you said you hadnât thought about rafe cameron since then. not that youâd admit it to lana.
sheâd never let you hear the end of it. right now, though, youâre trying to focus on your spanish class, scribbling notes as señor martinez drones on about verb conjugations. lana is sitting to your left, doodling absentmindedly in her notebook, while rafe is on your right, leaning back in his chair with a bored expression that says heâd rather be anywhere else.
you try not to notice how close heâs sitting. or how his cologne lingers faintly in the air. definitely not noticing.
âseñor cameron,â señor martinez suddenly says, breaking through the hum of your thoughts. you glance up to see the older man staring pointedly at rafe, his thick-rimmed glasses slipping down his nose. âpor favor, conteste esta pregunta. ÂżcĂłmo se dice, âi like to play footballâ en español?â
rafe blinks, his posture straightening slightly. you can tell from the way his brow furrows that he has no idea what the answer is. he shifts in his seat, his gaze darting toward you briefly before landing back on the teacher.
âuhâŠâ he starts, clearly stalling. âyo⊠gusta⊠uhâŠâ
you glance at him out of the corner of your eye, trying not to laugh at his obvious struggle. he looks genuinely panicked now, scratching the back of his neck like itâll somehow help him come up with the right words.
without thinking, you lean slightly toward him and scribble on the edge of your notebook: me gusta jugar al fĂștbol.
sliding the notebook closer to him with your left hand, you tap the words lightly with your pen before sitting back, acting like nothing happened. rafeâs eyes dart to the paper, and then to you. he catches on quickly, his lips twitching into a small, grateful smile.
âme gusta jugar al fĂștbol,â he repeats, his pronunciation a little off but passable. he looks up at señor martinez, who nods approvingly.
âmuy bien, señor cameron,â the teacher says before moving on to the next victim in his line of questioning.
rafe exhales quietly, and you feel his shoulder brush yours as he leans closer, whispering just loud enough for you to hear. âthanks. i owe you one.â
you shrug, keeping your eyes on your notebook. âyouâll survive.â
âyeah, because of you,â he says, his tone teasing but sincere. you can feel his gaze lingering on you, and your cheeks warm involuntarily.
lana, who has been unusually quiet, suddenly clears her throat dramatically. âi see you two are getting along nicely,â she whispers, her voice dripping with mock innocence.
you nudge her under the desk with your foot, shooting her a warning look. âfocus, lana.â
âoh, i am,â she replies with a grin, glancing pointedly between you and rafe.
you and lana walk out of spanish class, your bags slung over your shoulders as you weave through the bustling hallway. the faint smell of old textbooks and cleaning supplies lingers in the air, blending with the hum of chatter from other students.
âso,â lana says, adjusting the strap of her bag and glancing at you, âare we pretending that señor martinezâs lecture didnât put the entire class to sleep?â
you snort. âyou mean only you? i saw you zoning out halfway through.â
âhey, i was conserving my energy,â she defends, holding up her hands. âthat conjugation nonsense was not giving what it needed to give.â
you laugh softly, shaking your head as the two of you make your way toward your lockers. the conversation shifts to weekend plans, lana animatedly describing some pop-up event she wants to drag you to, when someone passes by on your right.
itâs him.
âhey,â he says, his voice breaking through your conversation like a gentle ripple. heâs walking just slow enough to catch your attention without completely stopping. âthanks for earlier. you saved me with that spanish sentence.â
he flashes you a smileânot the usual cocky smirk youâve seen him give other people, but something softer, genuine. the kind that makes your chest tighten unexpectedly.
âoh, uh, no problem,â you manage to say, your voice steady despite the warmth creeping up your neck.
he gives a small nod, the corners of his mouth tugging upward just a little more, and then continues walking past you, blending into the crowd.
lana waits until heâs out of earshot before turning to you, her eyebrows raised and her grin positively devious. âokay. what was that?â
you roll your eyes, trying to play it cool. âhe was just saying thank you.â
âmmm, sure,â she says, drawing out the words. âbecause guys like rafe cameron totally go out of their way to say thank you for help in class.â
âitâs called being polite,â you counter, though your voice wavers slightly, betraying your attempt at indifference.
âpolite?â lana mimics, her voice dripping with mockery. âgirl, he smiled at you like you just solved all his problems. that was not polite; that was something else.â
you shake your head, biting back a smile. âyouâre ridiculous.â
âam i?â she teases, bumping her shoulder into yours. âor am i just really good at spotting crush vibes when i see them?â
you groan, quickening your pace to escape her relentless teasing, but the fluttery feeling in your chest doesnât go away.
a few days rolls by, and itâs time for PE again. the memory of last weekâs self-defense unit still lingers in your mind, though youâve done your best to push it aside. unfortunately, lana hasnât let you live it down.
âback to the battlefield,â she says dramatically as you walk into the gym together, her water bottle swinging in her hand. âdo you think coach davis will make us pair up the same way as last time?â
you glance at her, trying to gauge whether sheâs genuinely curious or just looking for an opportunity to tease you again. âi donât know,â you reply, keeping your tone casual. âprobably. he seems like a âstick to the planâ kind of guy.â
lana smirks, nudging you lightly. âgood news for you, then.â
âwhatâs that supposed to mean?â you ask, feigning innocence as you open your water bottle and take a sip.
âoh, nothing,â she replies with a sly grin. âjust that a certain quarterback might be looking forward to this more than you think.â
âooh, look,â lana adds in a whisper, nudging you with her elbow as you make your way toward your spot. âthereâs your favorite partner.â
you glance over instinctively and spot rafe standing with the rest of the football team. heâs tossing a basketball between his hands, chatting with topper and a couple of others, looking relaxed and completely at ease.
you try not to linger too long, but as if sensing your gaze, he looks up and meets your eyes. his lips curve into a small, knowing smile, and you quickly look away, your heart doing an unintentional somersault.
âstop it,â you mutter to lana, whoâs practically vibrating with excitement at your reaction.
âiâm not even doing anything,â she says innocently, though the smug look on her face says otherwise.
you roll your eyes, but before you can fire back, coach davis claps his hands together, gathering the classâs attention.
âalright, folks!â he booms. âweâre picking up where we left off last week. same pairs, same drills, new moves.â
lana shoots you a triumphant look, barely able to contain her laugh. âtold you.â
âshut up,â you mutter under your breath, your cheeks already warming as you glance toward the corner of the gym. sure enough, thereâs rafe, standing with the other football players, tossing a basketball between his hands and looking entirely unbothered by the world around him.
when your name is called, followed by rafeâs, you take a deep breath and start walking toward him, feeling Lanaâs smug gaze on your back the entire way.
âguess itâs us again,â he says, stopping in front of you. his tone is casual, but thereâs a glimmer of amusement in his eyes.
âlucky me,â you reply, trying to sound neutral as you set your water bottle on the floor, though your voice comes out a little more sarcastic than you intended.
he chuckles, his hands resting lightly on his hips. âyou say that like itâs a bad thing.â
you roll your eyes but canât help the small smile tugging at your lips.
âready for round two?â he asks, his tone teasing but warm. thereâs a flicker of something in his eyesâmaybe amusement, maybe anticipationâbut you donât dwell on it for long.
âiâm ready if you are,â you reply, trying to match his confidence.
this weekâs drills involve more complex movesâblocking, evading, and redirecting. rafe listens to coach davisâs explanation but keeps sneaking glances at you, like heâs more interested in your reaction than the actual instructions. you catch him once, and he quickly looks away, scratching the back of his neck with a sheepish grin.
when itâs time to practice, rafe takes his position in front of you, his hands raised slightly. âalright, letâs see what youâve got.â
you narrow your eyes playfully. âdonât go easy on me.â
his grin widens. âwouldnât dream of it.â
the first few attempts are clumsy, just like last week, but this time, thereâs an unspoken ease between you. the tension feels lighter, replaced by a strange sort of rhythm. when you stumble on one of the blocks, rafe catches your arm instinctively, steadying you without a second thought.
âyou okay?â he asks, his voice soft.
âyeah,â you reply quickly, brushing it off. âjust lost my balance.â
âgood thing iâm here, then,â he says, his grin returning. heâs teasing, but thereâs a sincerity in his tone that makes your stomach flip.
as the drill continues, you notice how his confidence contrasts with the careful way he moves around you, never pushing too hard, always adjusting to your pace. itâs almost⊠considerate. by the end of the session, youâre both slightly out of breath, your cheeks flushedânot just from the exercise.
rafe is surprisingly focused, following coachâs instructions and helping you figure out the movements without making it awkwardâwell, mostly. he adjusts his stance a couple of times, his hands hovering near your arms to guide you, but he never oversteps, which you appreciate.
âalright, now try shifting your weight forward,â he says, watching as you attempt to push him off balance.
you give it your best shot, planting your feet and leaning into the motion, but he barely moves, his footing solid.
âokay, not bad,â he says, grinning. âbut maybe try using a little moreâŠâ he pauses, clearly searching for the right word.
âforce?â you supply, raising an eyebrow.
âyeah, that.â he nods, his grin widening. âdonât be afraid to go for it.â
you try again, this time putting more effort into the movement. to your surprise, he actually stumbles back a step, his expression shifting to mock surprise.
âwhoaâokay,â he says, holding up his hands in surrender. âyouâve got some hidden strength there.â
you laugh despite yourself, shaking your head. âyeah, sure. iâm terrifying.â
âhey, iâm just saying,â he replies, his tone teasing. âremind me not to mess with you.â
lana, paired with topper a few feet away, catches the exchange and immediately starts making faces at you behind rafeâs back. you shoot her a glare, mouthing stop while trying not to laugh.
âwhatâs so funny?â rafe asks, glancing between you and lana.
ânothing,â you say quickly, straightening up and avoiding his gaze.
laa smirks, her voice carrying just enough for you to hear. âoh, itâs definitely something.â
you groan inwardly, already dreading whatever teasing lana has planned for later. for now, though, you focus on the drill, pretending not to notice the way rafeâs smile lingers just a little
the end of class rolls around, and as everyone starts clearing up and heading toward the locker rooms, rafe lingers near you, casually adjusting the strap of his gym bag. lana notices, of course, and shoots you a knowing look before wandering off toward the door with topper trailing behind her.
you sling your water bottle over your shoulder, about to follow, when rafe steps a little closer. âhey,â he says, his tone casual but with just a hint of hesitation.
âhi,â you reply, glancing up at him curiously.
âso, uhâŠâ he rubs the back of his neck, his usual confidence slipping for just a moment. âare you going to the game tonight?â
you blink, caught a little off guard. âthe football game?â
âyeah,â he gives a short laugh, as if thereâs any other game he could be talking about. âi mean, itâs kind of a big one. with a rival school and all that.â
you chew on your lip, considering. âah, i donât know. i havenât really thought about it.â
âoh, come on,â he says, a teasing edge creeping into his tone. âiâm playing tonight.â
âi know,â you say with a faint laugh. âyouâre the captain.â
thereâs a flicker of something in his eyesâmaybe amusement, maybe something else entirely. âright. so⊠youâll come?â
before you can answer, lana reappears, practically materializing out of thin air. âweâll be there!â she announces brightly, cutting off whatever excuse you were about to come up with.
your head snaps toward her, eyes wide. âwe will?â
âyeah,â lana says, completely unbothered by your subtle glare. âwouldnât miss it.â
rafeâs grin widens, his gaze flickering between you and lana. âgreat. see you tonight, then.â
just as youâre about to protestâor at least question why lana is suddenly speaking for youâtopper walks by, overhearing the last bit of the conversation. he stops, turning to lana with a raised eyebrow.
âyouâre going to the game?â he asks, his tone curious but laced with something else, something like amusement.
lana tilts her head at him, a playful smirk dancing on her lips. âwhy? you donât want me there?â
topper stares at her for a second, then shakes his head, the corner of his mouth twitching into a half-smile. âno, i didnât say that.â
âgood,â lana replies breezily, flipping her hair over her shoulder. âbecause weâll be there.â
topper blinks, momentarily at a loss for words, before recovering with a lopsided grin. âcool. yeah. thatâs⊠cool.â
you glance between them, unsure whether to roll your eyes or laugh. meanwhile, rafe is still standing next to you, watching the whole exchange unfold with an amused look on his face.
âsee you tonight,â rafe says again, this time directing it more toward you. his voice is quieter, as if itâs just for you, and thereâs something in his tone that makes your stomach flip.
âyeah,â you manage, your voice a little softer than you intended. âsee you.â
rafeâs grin widens, his eyes lighting up in a way that makes your chest tighten. âgreat. see you then.â
as he walks away with topper, lana nudges you with her elbow, a mischievous glint in her eye.
âyouâre welcome,â she says, grinning.
âoh my gosh, did you see the way he was looking at you? youâre so going to that game.â
âlana,â you groan, but sheâs already steering you toward the door, topper trailing behind like a lost puppy.
âoh, and topper?â lana calls over her shoulder. âyouâd better actually play well tonight if iâm showing up.â
topper laughs, running a hand through his hair. âdonât worry, iâll make it worth your while.â
âyouâre welcome, by the way,â she says, grinning.
âfor what?â you ask, even though you already know where this is going.
âgetting us prime seats to watch your boy play tonight,â she teases.
you groan, shaking your head. âheâs not myââ
âoh, save it,â she interrupts, laughing. âiâm just saying, this is gonna be very entertaining.â
you shoot lana a look, but she just grins, completely unfazed. âyou realize your boy is going to be there as well.â
âahhh, this is going to be so much fun,â she says, and for some reason, you canât help but smile too.
you and lana are in her room, sorting through her closet to find something suitable for the football game. clothes are strewn across her bed, some tossed on the floor, and lana is holding up a navy sweater against herself in the mirror.
âwhat about this? casual but cute, right?â she asks, turning to you.
âitâs cute,â you say, trying not to laugh at the chaos around you. âbut are we really dressing up for a football game?â
lana shoots you a look. âfirst of all, yes. second of all, you need to look extra cute. for a special reason.â
lana holds up a cropped sweater, frowning. âdo i go with this? or the green one with the little buttons?â
âthe green one,â you say without hesitation. âit makes your eyes pop.â
she nods thoughtfully, tossing the sweater onto a growing pile of rejected options. âokay, green it is. what about you? you canât just show up in your usual jeans and hoodie. this is a game. thereâs a whole vibe.â
before you can respond, lanaâs younger sister amalia bursts into the room, a bundle of energy as always. sheâs clutching a bowl of popcorn, her hair in a loose braid. at fifteen, she has that untamed curiosity that makes her impossible to ignore.
âwhatâs going on in here?â amalia asks, plopping down on the floor and grabbing one of lanaâs discarded sneakers.
âgetting ready for the game,â lana says, tossing the sweater onto the bed and grabbing a scarf.
amalia plops onto the corner of the bed, narrowly avoiding a pile of jeans. âso, like⊠are you going because you actually care about football, like, someone specific?â
âamalia!â you gasp, laughing, while lana groans.
âobviously, weâre going for the game,â lana says, dragging out the last word like itâs painfully obvious.
âsure you are,â amalia says, smirking. she looks at you. âso, which is it? topper or rafe?â
both lana and you freeze mid-motion, slowly turning to look at her. âwhat?â you say in unison, your voices dripping with confusion and maybe a hint of panic.
âoh my god, it is true.â amaliaâs eyes widen, her tone full of mock scandal. âi mean, i heard you talking on the phone,â she says nonchalantly, taking a bite of her granola bar.
lanaâs face contorts into a mix of horror and disbelief. âyou were eavesdropping?â
âno!â amalia says defensively, though her grin betrays her. âi just walked past your room, and i heard you say something about rafe. or was it topper? honestly, you were talking so fast, i couldnât tell.â
âbesides, we have thin walls. i can hear every conversation you have.â
you bury your face in your hands while lana groans loudly, tossing a sweatshirt at the younger sister. âyouâre the absolute worst, you know that?â
she giggles, dodging the sweatshirt. âwhat? iâm just curious! so, which one is it? rafe or topper?â
âneither,â you say quickly, trying to sound as calm as possible. âweâre just going because⊠we have nothing better to do.â
amalia doesnât look convinced, her eyes darting between the two of you like sheâs trying to crack a code. âuh-huh. sure.â
you bury your face in your hands. âcan we not do this right now?â
âoh, come on,â she says, grinning. âi have to live vicariously through you guys. my life is so boring.â
her older sister snickers. âyouâre fifteen, amalia. youâre supposed to have a boring life.â
amalia rolls her eyes. âwhatever. youâre lucky mom and dad arenât here, or theyâd totally make me go with you guys.â
lana points to the door, her tone firm. âokay, get out. now. before i tell mom you stole her granola bars again.â
amalia gasps dramatically, clutching the half-eaten bar to her chest. âyou wouldnât.â
with a huff, amalia stands and heads for the door, but not before throwing one last grin over her shoulder. âfine, but if you donât tell me what happens tonight, iâm stealing your makeup.â
âgo away, amalia!â lana yells, and the door slams shut behind her.
âyouâre such a snitch,â could be heard from the other side of the door.
as the silence settles, you and lana exchange a look, and then burst into laughter.
âsheâs impossible,â you say, shaking your head.
lana smirks, reaching for her eyeliner. âsheâs also not wrong about you and rafe, though.â
you grab a pillow and throw it at her. âshut up!â
the stadium lights flood the field as you and lana make your way to the bleachers. the energy in the air is palpable, the crowd buzzing with excitement as the game is set to begin. the school colors are everywhereânavy and red banners, painted faces, and a sea of matching shirts.
lanaâs decked out in navy, her outfit effortlessly stylish, while youâre in red, wearing your school hoodie with pride. she loops her arm through yours as you weave through the crowd.
âthis is so chaotic,â lana says, laughing as you dodge a group of cheerleaders running toward the sidelines.
âyouâre the one who wanted to come early,â you tease.
âearly means we get good seats,â she replies, tugging you along.
as you near the edge of the bleachers, a familiar figure catches your eye. rafe is standing by the fence near the field, already in his uniform, looking every bit the golden boy quarterback he is. his helmet is tucked under one arm, and heâs talking to a teammate, but the moment he spots you, his face lights up.
he steps away, jogging over. âhey!â
âhi,â you reply, a little breathless from the crowd.
âi, uh, saved you and lana some seats,â he says, gesturing toward a spot near the middle of the bleachers, right in prime view of the field.
âoh, thanks!â you say, genuinely surprised and a little touched.
âof course,â he says casually, but thereâs a flicker of something in his tone that makes your stomach flip.
meanwhile, lana has already found her focusâtopper is lingering a few steps away, looking effortlessly cool in his jersey. she doesnât waste any time sidling up to him, her voice light and playful as she says, âtopper, is this your game face, or do you always look this serious?â
topper smirks, tilting his head at her. âyou tell me. think itâs intimidating enough?â
âintimidating? not quite,â she teases, twirling a strand of hair around her finger.
you glance at her, rolling your eyes slightly but smiling. sheâs clearly in her element, and for a moment, youâre distracted by their banter.
âhey,â rafe says, drawing your attention back to him.
you look up at him, his expression softer now. âyeah?â
âso, i was thinkingâŠâ he starts, trailing off for just a second before giving you a teasing look.
you arch an eyebrow, leaning slightly closer. âreally? you were thinking?â
his grin deepens, and he nudges your arm lightly with his elbow. âyeah, shut up. i was thinkingâŠâ he pauses again, this time looking a little nervous, though he hides it well. âif i win this game tonight, would you⊠wanna go out with me?â
you blink, caught completely off guard. his words hang in the air for a moment, and you canât help the way your lips curve into a smile.
âseriously?â you ask, your voice soft but full of amusement.
âdead serious,â he replies, his eyes locked on yours, a mix of confidence and vulnerability in his expression.
your smile widens, warmth blooming in your chest. âwell⊠i guess iâll have to cheer extra loud, then.â
his grin stretches across his face, brighter than youâve ever seen it. âiâll hold you to that.â
before you can say anything else, lana suddenly appears at your side, her cheeks slightly pink from talking to topper. âcome on, we need to grab those seats before someone else does.â
rafe nods, stepping back but keeping his eyes on you. âiâll see you after the game?â
you nod, your heart still racing. âgood luck, captain.â
âthanks,â he says, his voice warm, before jogging back toward his team.
as you and lana make your way to the bleachers, she nudges you with her elbow, her grin mischievous. âsooo⊠what was that about?â
you shrug, trying to play it cool, but the smile tugging at your lips gives you away.
âuh-huh,â she says, her tone dripping with satisfaction. âyouâre so coming to every game from now on.â
you laugh, feeling a little giddy. maybe you just might.
the game has been intense, and the crowd is on edge. the scoreboard has been a back-and-forth battle, but now, as the clock winds down, rafe's team is trailing by just a few points. the stands are buzzing with nervous energy as the players huddle on the field.
youâre perched on the edge of your seat, your eyes glued to rafe, who is looking more focused than ever. heâs been carrying the weight of the game ever since their second best star player was taken out with an injury. itâs clear that heâs frustrated, his jaw clenched as he scans the field, but thereâs something else in his eyes: determination.
topper stands beside him, clearly trying to keep up with the intensity, but itâs hard not to notice that rafeâs doing most of the work. heâs calling the plays, directing the team, and every move he makes looks calculatedâalmost like heâs pushing his limits, but you can see in the way he carries himself that heâs not going to give up.
the clock is ticking down, seconds slipping away like sand in an hourglass.
âcome on, come on!â lana mutters beside you, her voice almost lost in the roar of the crowd. you glance at her, her eyes fixed on rafe and topper, and then at the field. the tension is so thick you could almost cut it with a knife.
rafe takes the ball, his eyes scanning for an opening. heâs got no choice now; itâs all on him. he fakes a pass to topper, sending the defenders rushing toward him, then in one swift motion, he dodges a tackle and charges down the field. the crowd rises to its feet, the energy growing with every step rafe takes.
you canât help but hold your breath as you watch him break through the last line of defense, topper sprinting beside him, staying just close enough to act as backup. rafeâs legs move like theyâre made of steel, his eyes locked on the end zone.
with seconds left on the clock, he passes the ball to topper, whoâs just a few yards from the end zone. topper catches it and pivots, leaping into the air just as a defender tries to block him. time seems to slow as the ball arcs through the air and lands perfectly in topperâs hands. the crowd erupts as he crosses the goal line, securing the game-winning touchdown.
you can barely hear yourself think over the deafening roar of the crowd. you jump up with lana, both of you screaming and clapping in excitement. rafeâs face lights up as the team floods onto the field to congratulate topper, but heâs still scanning the crowd for someone.
you catch his eye, and for a split second, everything else fades away. his grin is wide, the exhaustion and tension melting off his face, replaced by sheer triumph.
âlooks like youâll be getting that date after all,â lana says, her voice full of teasing as she nudges you, but you barely hear her. all you can focus on is rafeâs smile, the way heâs looking at you from across the field.
you can feel your heart skip a beat as the final whistle blows. the game is over, and against all odds, rafeâs team pulled through.
lana cheers next to you, but youâre still staring at rafe, a grin tugging at the corner of your lips. he winks at you, the energy of the win still buzzing in his movements.
itâs official: rafe cameron just won the gameâand, if youâre being honest, you think he just mightâve won a little bit of your heart too, especially when he was looking right at you after winning the game.
MASTERLIST
CURRENT TAGLISTââËïœĄâ
@maybankslover âą @honeyluvsatj âą @zazidot âą @avada-kedavra-bitch-187 âą @lunaleah âą @maybanksangel âą @wtfdudesblog. âą @niktwazny303. âą @outerbanksloverp4l âą @slut4you âą @maybanksgirl69 âą @hstbsl06 âą @percysley
#lizzieswritesđđ#rafe cameron x reader#rafe cameron#drew starkey x reader#drew starkey#rafe cameron imagine#rafe cameron x you#drew starkey x you
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City Pigeons Bleed Green, Part 26
masterpost this is a first draft, please no editing or concrit <3
âHey, chum, youâre up early,â Bruce said, his own voice still rough with more exhaustion than sleep. He leaned down and pressed a kiss to the mess of black hair as he passed the kitchen table. âDidnât sleep great?â
Danny blinked up at Bruce. His startled eyes glowed faintly green eyes in the dim, more night than morning light of the kitchen. He clutched his coffee mug like a lifeline.
Bruce pulled his hand away from Dannyâs hair and took a small step back. He kept his arms carefully relaxed at his side, palms forward. âIâm sorry Danny, was that too much touch? Itâs fine if you feel it was. I was acting on habit, like I would with my other kids.â
âNo, um, it was nice. I just didnât think that you would⊠we wereâŠ,â Danny wiped at his eyes with his sweater sleeve in a jerky, frustrated motion. âSorry. Just was a rough night, and I guess Iâm feeling a little overwhelmed.â
âThatâs more than understandable.â
It was only the second day after Danny had told them everything. The kids had spent that first night building an impressive pillow fort and watching movies all night. The day after was basically a game of distracting Danny. It wasnât a surprise that it was all hitting Danny now.
âDo you need any more coffee?â Bruce offered.
Danny offered up his cup silently and Bruce too it over to the kraft. Coffee with creamer for Danny while Bruce added a splash of creamer and sugar to his own. He took the seat next to Danny when he got back to the table, careful not to step on Ursa, who was sleeping under the chairs, snuggled against Dannyâs blue bear.
âDanny, youâre my kid, chum.â
Danny looked down at his coffee. âIâm your clone.â
âYouâre a child,â Bruce said gently. âSpecifically youâre a child with my genetic make-up. You just have more of it than normal. That doesnât make you any less my kid. I⊠can be bad at words. I am, often, especially when it matters most. I say a lot more through actions and touch. I am trying to be better. Danny, you are my kid. This is your home whenever you need it to be, and I love you as much as any of my children. You donât have to earn or wait for it. Okay?â
âOkay,â Danny said with a sniffle as he scrubbed at his eyes again. âCan Iâis it okay to ask for a hug?â
Bruce held open is arms and Danny flung himself into them. Bruce pressed another kiss to Dannyâs hair. âMore than.â
-
After breakfast, showering, and more coffee and tea than was probably healthy for one family to consume, those that were still in the house settled outside on the patio. They watched Dick and Danny frolic about with the dogs in the yard; Damian was watching from the sidelines.
âDamian is going to be tackled by a dog soon,â Tim commented, almost absently, as he glanced up from his tablet.
âYeah, he totally is,â Duke agreed. He was stretched out in his chair, feet up on an ottoman, and half looking like he was ready to fall back asleep.
Bruce smiled slightly. âIâm sure that heâll manage to survive the attack.â
âAfter screaming about it,â Jason added.
Bruce nodded in agreement. There probably would be screaming; it would wake Duke up. At least it would be a lively mid-morning. Itâs a shame that Danny was still healing, or they could go swimming later. Well, the pool would still be there another day. They had time.
âSo,â Tim said. He glanced up from his tablet again to catch Bruceâs attention. âWhat are your plans about Danny?â
Jason snorted. âSo clinical, Timbit.â
Tim flicked Jason off.
Bruce sighed, âBoys.â
âBruce,â the two of them chirped together, utterly unrepentant.
Bruce valiantly resisted the urge to sigh again. âIâll arrange a press conference once we are sure that his back story and papers are iron clad. Iâm sure that Barbara has already been work on it, along with you, Tim.â
Tim just shrugged, unrepentant. âIt seemed prudent to. We havenât decided anything concrete, though Babs may have started to hack into things in Michigan to have access down the right bread crumbs. We figured sticking midwest was best, even if he doesnât have much of an accent.â
Bruce hummed in reply.
âWhatâs going to be your excuse for his scars?â Jason asked.
It was true there would be no hiding them.
âHis mother was a casual affair,â Bruce said. He pulled together the threads of a plan as he spoke. âShe never let me know that she was pregnant, though after being abroad for a time she did reach out to me hoping to meet up in a few months. I thought nothing of it until Danny showed up. We were old acquaintances but never socially that close. It turns out that she died in child birth before we could ever meet again. Danny went to live with a someone estranged aunt. While the inheritance money from his motherâs estate lasted, things were neglectful but manageable. When it started to not live up to the Auntâs desired lifestyle, she became cruel and methodical in her abuse.
âDesperate and trapped, Danny started to look for new hiding places in the house. It lead him to finding his motherâs journals. Her thoughts, some old letters, and the occasional picture. He started to put things together. He risked taking his Auntâs cellphone one evening when she was drunk and looked me up. He made a plan to come this way however he could manage. Enraged at losing her meal ticket, and social standing with him, the aunt went into a rage. She died in a drunk car accident when she drove into a light post the same night Danny ran.â
âRight. Youâre scarily good at that,â Jason said after a beat. âI guess then we just go more with the truth. He arrived in Gotham, got stabbed, and ended up on the Batâs radar. They took care of him of him until he was ready to tell his story and meet you.â
âThatâs two more people that we need to make a paper trail for,â Tim grumbled.
âAnnalise Linwood. I met her in boarding school,â Bruce said softly as he watched his children play. âI would be seen in her company on and off throughout the years. She had reached out to me for help on how to approach the birth of her child from an affair she was having. The father was a sometimes violent sort who she had used to think she could save. She died in childbirth, as did her child. Her estranged sister was her only living relative after a tragic accident with small aircraft the year before. The sister was reclusive unless she was drunk, or so Annalise had said once. It would be easy to assume she home schooled Danny and kept him out of the social eye. So, no, we just need to fake the paperwork for Danny.â
Bruce could feel Jasonâs eyes on him.
âOh.â
Bruce smiled softly, sadly. âIt is changing the story of the dead, but Annalise was looking forward to being a mother. I think she would be alright with it, if it helped a child out.â
âRight, one set of paper trails,â Tim said quietly. âIâll make sure Babs gets the information.â
There was a sudden shout from the lawn as Damian went down under the weight of Titus. Duke jolted awake and scrambled to not fall of his chair. Jason barked out a laugh as he tried to help catch Duke. Tim took photos. Danny ran over to help Damian, Ursa on his heels.
Yes, Bruce thought, Annalise would be alright with this.
---
an: great, now I'm emotional over a filler oc I made! ;-;
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I kind of like that Rook is the uninteresting fuck up of a character whose only talent seems to be to make all of these cool people incredibly horny for them. Even if they're not actually a fuck up. They have a talent, I'll get to it.
It just makes me sad that it's probably because the game gives you a lot of background options, so customizing the entire storyline for each of those options would have been a lot. Basically to give a strong story from each of those backgrounds they would have had to rewrite a lot and provide many more dialogue options. It's not just an issue with this. Veilguard in general suffers from having very few decisions that actually make a difference for the story.
Anyways. Even if the reason for it is bad, I like that we get companions with big stories and talents while our character is just one person among them. I hate playing a game where the player character is the only one with special powers and strong plot relevance. These people are gathered together because they're the name that came to mind when thinking "we need an expert on ____". Of course it's a company where anyone is going to feel like a bumbling idiot.
I like that Rook is the one who steps back and listens to the others. I like that they ask even the dumb questions. I don't feel like that's "on Rook's expense", that's not really how it works when talking to people. It's not about counting points for cool one liners.
Rook's talent is asking the questions. Their talent is that they're offering sympathy when the others have such poor people skills that they don't even think of comforting Rook. Even when Lucanis buys things for everyone else he forgets Rook. Because Rook is Rook, easy to overlook. Rook listens to the team and smooths out conflicts. They're the glue that holds this bunch of big personalities together. Without them it would be explosive temperaments and infighting.
I actually love that the game makes the player feel like they're not that important and that they're not as cool as the other characters and that they're almost invisible. Because we all know someone like that. Someone who we might not always think about but who keeps stuff running smoothly.
And in the end I don't think any of the companions could handle having Solas in their head. They would have said something to anger Solas and get him to shut up for good. We need poor old bumbling Rook who somehow gets Solas to kind of help them instead.
Whatâs really jumping out at me on my second playthrough is that the writers of the first three games understood that your character was the main character. The Veilguard writers clearly thought that the main characters were their characters, the companions.
Every scene is about setting the companions up as cool or competent or sympathetic. Often, this is done at Rookâs expense. The companions get all the witty one-liners; Rookâs attempts at humor not only frequently fall flat, but are frequently called out for falling flat (even when theyâre completely automatic and the player has no say in them).
The companions have all the knowledge and skills; Rook just brought them all together and gives them all pep talks so they can focus. Iâm trying to edit out all of the comments where Rook is like âUm⊠what????â from my videos, and let me tell you, it takes WORK. There are A LOT of them. I can count on one hand the number of times when the Inquisitor or Hawke comes across as dumb, but it seems to be a built-in, unavoidable part of Rookâs character. I have not selected a single âpurpleâ option in all of Act 1, and Rook is still coming across as the kid who tries to be the class clown to cover for the fact that heâs always confused. Rookâs role in most scenes is to say âUhhh⊠what?â so that the companions look smart.
Rook is always the one offering sympathy and never the one getting it. No one actually comes to comfort you after Varricâs death. No one asks you how youâre feeling about having to lead the team now that Varric is gone. No one tries to reassure you or give you advice for dealing with the trickster god haunting your dreams. Weâre told that Neve could keep Solas out of your head, but she never actually offers to do this for you. No one comforts a Shadow Dragon Rook when Minrathous is destroyed or a Grey Warden Rook when Weisshaupt is destroyed. Rookâs problems donât matter. Only the problems of main characters matter.
Rook is a secondary character in their own story.
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in desperate need of some NSFW dae ho head cannons?? đđ
DAE HO â NSFW ALPHABET
A/N: M and X are skipped. Warnings: Smut, P in V, oral, soft!Dae-ho, maybe a little OOC.
A = Aftercare (what theyâre like after sex)
âź Very doting. Always wants to make sure you are okay. Will wipe you off with a towel and have water on both sides of the bed (he knows how exhausted you are) or will just take a nice long, hot bath with his darling.
B = Body part (their favorite body part of theirs and also their partners)
âź He doesnât really have a favorite part about you, he just loves you the way you areâŠBUTâŠhe does like being able to hold and compare your small hands to his large calloused ones.
âź For him, itâs probably his semi-muscular arms. He loves the way they engulf you as he wraps you in his warm embrace. Truly such a wholesome guy. <3
C = Cum (anything to do with cum, basically)
âź Dae-ho cums a lot. Whether he pulls out or not, itâs everywhere. On the sheets, on you, on him. Even when he releases inside of you, he will watch in awe as it trickles out of your pretty hole.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
âź He kind of has a breeding kink. He desperately wants to get you knocked up so he can experience having a big family again (like how he grew up with so many older sisters). That and he thinks you would look so pretty pregnant.
E = Experience (how experienced are they? do they know what theyâre doing?)
âź Doesnât have a lot of experience, but he knows what heâs doing and how to make you feel good. Has had one or two partners before you at max.
F = Favorite position (this goes without saying)
âź Definitely missionary. What can he say? Heâs very Vannilla coded. He loves looking down at your beautiful face as he slowly lumos himself in and out of your holeâHolding your hands as he makes love to you and fucks you silly.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
âź I can see Dae-ho being a very lighthearted individual during steamy time, making maybe one or two jokes as he fucks you dumb.
H = Hair (how well groomed are they?)
âź Well groomed, not a lot of hair, but itâs definitely managed well.
I = Intimacy (how are they during the moment? the romantic aspect)
âź So so so romantic! Will constantly be telling you how beautiful you are as he listens to your wanton moans and suckles on your nipples.
J = Jack off (masturbation headcanon)
âź I honestly donât see him doing this. Why jerk off when he can just go to you? If you arenât in the mood though, he will probably just want you close as he does his thing.
K = Kink (one or more of their kinks)
âź Definitely breeding kink, as mentioned earlier. Dae-ho just wants a big family.
L = Location (favorite places to do the do)
âź The bedroom (bed) or the shower.
N = No (something they wouldnât do, turn offs)
âź Anything that makes you uncomfortable. Dae-ho would be a true gentlemen and is the king of consent. He definitely puts your pleasure above his own.
âź As for him, Dae-ho doesnât care for roleplay (why would you want him to be anyone but himself? It will hurt his feelings!) or BDSM. Why would he want to purposefully hurt his partner?
O = Oral (preference in giving or receiving, skill, etc.)
âź Prefers to give. He loves tasting your sweet sweet juices.
P = Pace (are they fast and rough? slow and sensual? etc.)
âź Very slow and sensual. You and Dae-ho donât fuck. You make love.
Q = Quickie (their opinions on quickies, how often, etc.)
âź Heavily dislikes them. If youâre going to do it, why not do the full thing?
R = Risk (are they game to experiment? do they take risks? etc.)
âź Is willing to do (almost) anything to make you happy.
S = Stamina (how many rounds can they go for? how long do they last?)
âź 3-4 rounds. This guy was in the marines, of course he has stamina. Although, he will stop if you pass out before heâs done.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
âź Prefers not to use them on you or himself.
U = Unfair (how much they like to tease)
âź Will tease you with his fingers and tongue only a little bit. Doesnât want you to suffer too much while waiting for his cock.
V = Volume (how loud they are, what sounds they make, etc.)
âź Can get a little loud. Dae-ho will make little grunts, but every once in a while will let out a wanton moan.
W = Wild card (a random headcanon for the character)
âź Would put your pleasure and well-being over his any day.
Y = Yearning (how high is their sex drive?)
âź Like once every two weeks. He doesnât want to push you to hard or make you uncomfortable, but does love showing how much he loves you through these âactivitiesâ.
Z = Zzz (how quickly they fall asleep afterwards)
âź Always waits until you are asleep, but after that, he is pretty quick to pass out.
#squid games x you#squid games x reader#squid games fanfiction#squid game headcanons#squid game netflix#squid game s2#squid game season 2#squid games season 2#squid games 2#squid games spoilers#dae ho x reader#kang dae ho#kang dae ho x reader#dae ho imagine#dae ho smut#dae ho#dae ho squid game#player 388 x reader#player 388#in ho x reader#squid game front man#hwang in ho#in ho squid game#front man#in ho#thanos x reader#thanos squid game#choi su bong#thanos#squid game nam gyu
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you would be lying if you said you weren't intimidated to meet the gojo clan head but you needed the money and babysitting his grandkids was the only job offer you had managed to land. you'd heard about him a lot. clan head yuuta was old enough to be your granfather. of course you were scared and just wanted to get over with this interview without having the urge to kill the man in front of you. old geezers are scary. and they are annoying, uglyâoh
oh.
but yuuta wasn't. he was scary, sure. the first thing that caught your eye was the dark eyebags. on anyone else, it would look ugly but on him? it had you bewitched.
"please have a sit." fuuuuuuck. he was so soft spoken even if he had some ruggedness to his voice. contrary to the old geezers you've dealt with. you don't speak, just nod and take a seat on the zabuton opposite to him. "was it hard to find the place?"
"uhm...no. you have the whole estate so..." you say meekly. he chuckles. it's low but it's endearing.
"i see. well, as my assistant told you on the phone, wife's not in the picture. i lost my son and daughter-in-law to the missions, leaving my two grandkids behindâ"
"i am so sorry for your loss," you interrupt, sympathizing with him. although you've heard it on the phone before, hearing him say it hurts. you cannot imagine what he's going through. he shoots a warm smile your way, accepting your condolences.
"although i do know how to raise kids, think i've lost my touch after all these years. plus the clan head responsibilities take too much time off my day. i need someone to not only look after them but make them feel like they have a normal childhood just like everyone else."
"i understand. losing parents at such an early age, when they can't even form proper sentence, is cruel." yuuta has a hint that whatever you just said might have been coming from a place of personal experience but he chooses not to bring it up. the atmosphere is suddenly very gloomy so he decides to change the subject.
"anyways. as you know, i am an old man now. it's hard to remember things or do things on my own so you're basically babysitting me too." he knows it's lame. but he watches your expression. you're clearly flushed. of course, i am. have you ever seen a mirror?
"yes, sir." fuck. fuckfuckfuck. his cock stirred at the way you cooed that sir. he knows he should tell you that he is comfortable enough if you call him by his name but now that he's heard call you that? no way in hell he is going to correct you.
his cock kept twitching the whole interview. he knew he had to keep you. yes you had the right skils for the job but he's also willing to see what else you can do. how far can he push you.
yuuta gave you a warm smile, walking you to the exit, his yukata thankfully hiding his boner.
"congratulations. see you next week, sweetest."
#i am thinking of a part 2. should i??? anyways lemme know how was this#yuuta x reader#okkotsu yuuta#jjk x reader#jujutsu kaisen#jujutsu kaisen smut#okkotsu yuuta x reader#yuuta okkotsu#yuuta okkotsu x reader
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What's up with the 3ds grudge?
Basically the 3DS tried to be too many conflicting things at once, and ended up being a bad DS as a result. It's... fine... in its own right (minus the poor audio) but a lot of what worked strongly on DS just took so much of a back seat here, in favour of Trying To Be The Handheld That Doesn't Want To Be A Handheld. If someone ever made another DS, they should iterate on the original DS, rather than continue where the 3DS left off.
Screens have different dimensions (both in the sense of resolution and in the 2D/3D sense), meaning anything cool that the DS could do by swapping the screens or making them form one long screen, was a lot more awkward to pull on 3DS. Don't even think about holding it sideways (like a book or the Mario Bros. game & watch) if you want to use the 3D feature.
On DS, games had a choice in their design (to put the gameplay on the top or bottom screen) since the screens were basically identical except for touch, but the 3DS basically pushed for everything to be on the top screen (that's the bigger screen and that's where the 3D is!). The touchscreen often felt neglected, or only there because "they had to" (= the DS had a bottom screen and this thing needed to play those games too so we keep a bottom screen here too).
It also felt like the 3DS wanted way more games that tried to be full 3D home console games except crammed onto a handheld (the switch does this better by... actually being a home console) like it didn't want to be a real handheld at all. Turning the system on and off was also slow as hell and so it takes longer to actually get to your game (same problem the wii u had).
It also moved the dpad into an awkward spot where it makes DS games feel worse to play on it, and tried to make the circle pad essentially a replacement of the dpad, when the two excel at different things and should not be treated as a direct up/downgrade of the other. Metroid: Samus Returns for example feels genuinely awful to control with the circle pad imo and while Dread made the stick movement feel a lot smoother I really don't like that the 3DS kinda killed dpad controls for 2D nintendo games. The controls are also no longer symmetrical, so anything the DS could mirror for left-handed controls would work worse on 3DS.
Also I just kinda personally prefer the more pixely and crunchier feel of DS sprites, fonts, models and compressed textures. 3DS doesn't hit the same and instead only has low quality audio that I never want to listen to and a screen that funnily enough looks more crisp when held the wrong way.
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Hello! Remember me? Hi, happy new year. I have returned because recently thought of a TF Animated version of this specific brand of shenanigans.
Basically, Sari, being part Cybertronian herself, would probably be able to make Sparkling Distress Criesâą with zero effort (Iâm thinking of this pre-reveal so they donât know sheâs Cybertronian). Would this give the autobots the mechanical equivalent of an aneurysm? Probably. Would it have devastating effects on the Decepticons (who have not seen newsparks since LONG before their banishment)? Absolutely. Does Sari use this power responsibly? Fuuuuck no.
* She does it at the constructicons (who have never even heard of a sparkling) and the autobots come to the rescue⊠only to find the two cons on the floor begging her to stop the guilt is killing them. If they were human theyâd be crying inconsolably.
* Lugnutâs reaction was a shocker. She did it at him mid battle (he was just about to use The Punch) and he just freezes, then VERY SLOWLY lowers himself down in an attempt to seem non threatening and tries to soothe what he has decided is a very strangely shaped sparkling (and not a frame walker because he is NOT dealing with that. No thank you Unicron).
* Blackarachnia doesnât really know how to handle the situation. Sheâs quietly trying to sooth Sari and also trying to check if the child is a fellow techno organic as gently and politely as she can. (The fact she was correct is an irony not lost on any of team prime).
* Blitzwing was also caught mid fight, and he just flat out panicked. He just instinctively scooped Sari up and tried to shuffle away from the battlefield/out of danger while Sari continued to make âIâm being murderedâ/âthis is the scariest moment of my lifeâ sounds. Blitz honestly looks like heâs gone into shock, all three faces are Alarmedâą. The Autobots drop their weapons and have to cajole the panicked triple changer into please giving them THEIR sparkling back. He eventually does and then books it. Sari appreciated that his first instinct was to try protecting her at least.
* Starscream (mid battle, naturally) seems to quite loudly go through all the different stages of grief (while panicking), before just nopenopeNOOOPE-ing his way out of there. He doesnât know how to deal with this and itâs making him feel a lot of emotions. And maybe a bit depressed? And you know what maybe the clones he planned on making shouldnât be used as disposable soldiers, they deserved more than that, they came from him after all! Frag it heâs starting a seeker colony on that uninhabited red planet nearby and NO HE DOES NOT HAVE EMPTY NEST SYNDROME shut up.
* Shockwave, if he encountered her, would just be like âhuh. Fellow shapeshifter, but small and very youngâ, move her to once side (near a food source, heâs a professional and he has standards) and continue on his way.
* Megatron feels immensely conflicted about the whole situation. He doesnât particularly like the fact this organic? (heâs pretty sure thatâs an organic. Maybe. Maybe not) is somehow able to sound like a newborn in apparently excruciating pain. He also wants to at least try and sooth it, which is a weird sensation. This is a strange situation, heâs not used to this. Heâs⊠heâs going to call a tactical retreat. This is giving him a processor ache now.
The result back in the Decepticon base is Prof Sumdac watching the constructions having a mental breakdown, Megatron nursing a headache and asking him where the pit he got his progeny from, a rather baffled looking Lugnut, and Blitzwing depressed in the corner because he ended up also getting empty nest syndrome and is handling it badly. Sumdac feels a bit sorry for them.
ââ
Bonus is her doing it at the Elite Guard to fuck with them. She makes a series of Pissed Off Sparkling chitter at them (aka the âleave my guardians the pit aloneâ noises). Ultra Magnus just blue screens for a minute or two because What? Jazz backs off but emphatically requests an explanation because organics shouldnât be able to do that, right? Right? The Jettwins pause for a moment, before deciding to Not Question Itâą and chitter back at her. Sentinel shrieks âFrame Walker!!â and runs away screaming. Bumblebee seizes his moment and proceeds to chase him around with her. Optimus⊠doesnât have it in him to stop them. This is karma.
I got the image of the Jack, Miko and Rafael learning to imitate Distressed/terrified Sparkling cries and using them against the decepticons. Itâs a very efficient defense mechanism. Every cybertronian who heard them is freaking out because oh primus how is the squishy thing making that noise and I gotta protect it at all costs. The sheer chaos that would ensue as the âprotect/rescue the sparklingâ programming kicks in full force.
ââ
The vehicons are clustered at the other end of the room panicking. They donât know what to do. The human sparklings are looking right at them and making distress noises. The guilt is killing them.
Knockout going âis the car form less alarming?! If I turn into a car will you stop seeing me as the threat?!â
Breakdown is having a breakdown.
Starscream pinned to the wall on the other side of the room having an internal crisis. He doesnât like this. Make it stop.
Soundwave makes no noise but you can FEEL the sheer distress radiating off of him.
Megatron is frozen. No thoughts, head empty. Heâs not moving at all. He doesnât know how to handle this.
ââ
The autobots have mixed feelings about this. Theyâre glad the kids have a way of defending themselves but please donât do it near them. Theyâre stressed out enough as it is.
(This might sound kinda dumb but I thought it was kinda funny. Very tired while writing this)
Wait no this is actually brilliant.
The Decepticons never anticipated their long buried parental nature to be used against them. No one did. But they day the human children turned up on the battlefield looking far too confident, every Bot and Con present had the all encompassing feeling that something was terribly wrong. Their suspicions were quickly confirmed when, before the Decepticons could do much of anything to get the relics they were after, Rafael began to wail.
Normally, human screams meant nothing. But there was a certain pitch that sounded so close to a cry of distress from a sparkling that, to warriors who had not heard a sparkling in millennia, it was enough to send them running to help. In this case, the issue was only compounded as the children scattered like mice and started making the same noises. The Decepticons could hardly focus on the Autobots booking it to the relics as they frantically tried to locate the fictitious sparklings calling for aid.
The Vehicons managed to get to Jack, but he just kept looking up at them defiantly. Every time one of the dozen or so Vehicons on the field tried to grab him, blast him, or otherwise hurt him, Jack would chirp like a sparkling and send all of them scurrying back. It wasn't cute to the Vehicons. Having never seen actual sparklings but still having the coding needed to adore them, they looked at Jack and saw a weird frame-walker. They weren't sure what to do about it except try to haul themselves away while also keeping a vague circle around the human male.
Miko on the other hand made it a point to chase after Megatron and Soundwave, screeching like a sparkling about to be shredded. Neither stopped for her, but Megatron completely lost his train of thought every time that screech rang out. He could have been aiming at Optimus with a perfect head shot and he would be unable to fire as Miko's distressed sounds rang out in his audials. He KNEW she wasn't a sparking. His coding wasn't even that strong. But by Primus, hearing her screech was the same as watching a civilian get run over by a bus, repeatedly. Focus was impossible.
Soundwave wasn't much better. He didn't react outwardly, but the slowing of his steps and the way he tried to sidestep Miko gave away his distress. He avoided her like the plague, trying to refocus but being unable to really get far as Miko screamed like a demon. It was a fight against the Unmaker himself to keep Soundwave from bolting over to collect the sparkling who sounded so very upset.
Rafael, for his part, followed Miko's lead and harassed the other three members of High Command most often found out on the field. Breakdown ran screaming the moment Rafael started chirping at him. This was both out of fear of the frame-walker and to escape the inevitable overreaction of his coding. He may or may not have attempted parkour once or twice to get as far away from the smallest of the humans as possible.
Knockout tried to ignore Rafael when the kid chirped up at him, he really really did. But how does one ignore the Cybertronian equivalent of a soaking wet kitten meowing up at you? Simply put: you don't. Knockout gave in and quickly dropped down to try and soothe the non-existent sparkling every. single. time. Rafael pulled his noise trickery. He never fails to panic and attempt to flash colorful things at Rafael to get him to stop. Every Decepticon has since been endlessly disappointed in him.
Starscream, being terrified of things that really shouldn't be there, took the skies the instant the trio began screeching. Nope. Not today Unicron. He'll get the mission done or get the heck out of dodge to avoid coding coming online. He doesn't need empty nest syndrome on top of a crippling case of "I Love Power." He also doesn't need to deal with the horrific mental image of a squishy somehow managing to sound like a sparkling. Nope. Nope. NOPE.
The Autobots are grateful the kids can protect themselves a bit now. But by Primus, they have known NO peace since the kids figured it all out.
#transformers#maccadam#megatron#starscream#blitzwing#lugnut#black arachnia#constructicons#shockwave#ultra magnus#sentinel prime#jazz#tfa jettwins#tf animated#tfa#transformers sparklings#transformers animated#transformers headcanons#optimus prime#bumblebee#sari sumdac
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I think most people agree that, of all the TNG major characters, Worf was the best possible one to bring into DS9. He fits the best into the DS9 cast, and itâs pretty hard to imagine fitting any other TNG character in at all as well. This made me think about the fact that, since all the 90âs Trek shows are set at approximately the same time, you could theoretically take almost any major character from any show and put them into another show. So I asked myself the question, which character from each 90âs Trek show would fit the best into each other show?
The best TNG character to be on Voyager: Easily Deanna Troi. I donât think having a counselor onboard would genuinely fix the Voyager crewâs problems, but it would add an interesting layer, and we would get to see lots of disastrous counseling sessions. I also think Deanna could have particularly interesting interactions with BâElanna and Seven, and Iâd love to see her develop an unlikely friendship with Tuvok. The one major issue I can see is that there would be a bit of redundancy with Kes in terms of her empathic abilities, but at the same time, I think they could have an interesting dynamic.
The best DS9 character to be on TNG: Obviously Worf and OâBrien are discounted from consideration here. Iâll admit this is a hard one â the DS9 crew just would not fit very well on TNG. It also feels like cheating to choose Bashir because he had good chemistry with Data and Geordi in the crossover episode, so instead Iâm going to pick Odo. Iâm not sure how exactly the plot could be worked to make Odoâs presence on Enterprise make sense, but I think he would get along really well with Picard, and I think he and Data could have had interesting discussions. I also think Odo would slot interestingly into TNGâs typical moral dilemma episodes.
The best DS9 character to be on Voyager: Either Jadzia or Kira could be interesting. I think Jadzia would fit really naturally into the crew and could have filled the generally vacant main science officer spot. There would be interesting things to explore in her dynamics with basically every single main crew member, particularly Janeway and BâElanna. Kira could be interesting in terms of how she related to the Maquis/Starfleet relationship, and Iâd love to see her dynamic with Chakotay and BâElanna. In general, I think both Jadzia and Kira would have some really interesting feelings about being stranded so far from the Alpha Quadrant.
The best Voyager character to be on TNG: Harry feels like heâd theoretically slot in the most naturally, but I think his role and personality would end up being too similar to Geordi. So, oddly enough, I think Tom might actually work the best in TNG. His backstory is based on that of a minor TNG character, and I think it would be interesting to see Tom work through (or not) his issues with Starfleet and his father in an environment that was not at all as far removed as Voyager was. He could have an interesting dynamic with Picard and Deanna, and maybe even Data and Geordi.
The best Voyager character to be on DS9: Chakotay would be interesting, since I might have liked an alternate Maquis storyline on DS9 that actually had one of them as a major character. What would happen if Sisko was actually forced to work with a Maquis leader for some reason, and what if they actually ended up finding common ground and respecting each other? Iâm thinking more along the lines of Siskoâs dynamic with Cal Hudson in the Maquis two-parter rather than his dynamic with Eddington. Again, I think Chakotay and Kira could have a really interesting dynamic as well.
#star trek tng#star trek ds9#star trek voy#lane posts#there are other characters i could have picked for that last one too#a lot of voyager characters would have been interesting in ds9
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Thank-you sentences for derpsheep behind the cut; âa fake cryptid and a real romanticâ. (( chrono || non-chrono ))
Tim had originally wondered if Superman was something along the lines of Metropolisâs version of the Batman before finding out that Clark Kent existed and that Supermanâs voice did not actually sound like an entire star cycle happening all at once. Heâd heard about Krypton long before that, of course, but hadnât been sure that wasnât just what humans heard instead of the actual truth.Â
Itâs not like the Batman actually looks like the Batman, after all.Â
Well, except for when he does, obviously. But, likeâthat aside.Â
Tim still hadnât been entirely sure what to think when heâd found out Superman was actually just a totally normal alien whoâd just decided he really liked this one specific human city, just one that was primed for the local environment to the point that if there were literally any other Kryptonians around theyâd probably count as an invasive species. Like, probably the planet should be a lot more worried to have found out that Superboyâs genetically stable than anyone actually seems to be? Because Superboy being genetically stable at least implies the possibility of human/Kryptonian crossbreeding, right? And also implies that Superman now very definitely knows that thereâs at least a possibility of human/Kryptonian crossbreeding.Â
And if thereâs any chance that half-human DNA might absorb yellow sunlight better than pure Kryptonian does, given humans evolved under a yellow sun to begin with . . .Â
Well, thatâs . . . definitely a thought, yeah.Â
Possibly Tim should give those files of Superboyâs that he . . . creatively sourced from Cadmus another go-over or two. And maybe go looking in its systems again to see if he missed any classified ones or if there was anything that mightâve been misfiled anywhere in there. Just, like . . . for everyoneâs sake.Â
He definitely did not forget the whole âlab-grown weapon built like a brick house who is technically capable of disassembling him down to his individual atoms with one little tap and about two seconds' worth of thoughtâ thing. Not even slightly did he forget that thing.Â
Unfortunately Tim apparently finds that thing attractive, so thatâs something he knows about himself now.Â
Well, just file it in with âthe idea of being stalked by said lab-grown weapon makes Tim feel admired and interestingâ and âthe percentage of his very brief lifetime that said lab-grown weapon mustâve spent learning how to form and cut a perfect diamond is mortifying Tim into several different awakeningsâ, he guesses.Â
And like . . . probably something about the whole thing with Superboy finding out that Robin was sort of a freak and just immediately deciding to match said freak. Probably also that.Â
Anyway. Off-topic, definitely. Superman definitely isnât dropping Superboy off for the date-night patrol that the Batman is currently trying to crash, but even if he did, at least he wouldnât show up sounding like an entire star cycle about it. Which . . .Â
Tim does think that heâs heard a voice that sounds like that star cycle somewhere in the reflected daylight, just . . . once or twice, maybe. Come to think of it and all.Â
( doesnât Robin know it yet, it wonders?
itâs not as if a Robinâs never heard one of them before, after all. )
Justâsometimes. Sometimes he thinks that.Â
Though it never quite fits, either, and he always seems to . . .Â
Wait. Off-topic, right? Theyâre off-topic.Â
. . . what was he thinking about again?Â
âJustâweâre going to go nest, okay?â Tim finally tries, though itâs probably the most mortifying thing heâs ever had to say to the Batman. Like, even more mortifying than trying to explain Steph was. Still, itâs the same theory as using Robinâs body language to get his point across, right? Or at least basically the same theory, anyway. âLike. Superboy and I. Collectively. Together. Weâre going to go . . . nest. Together.âÂ
The Batman . . . pauses. Tilts its head a little too far for a human to manage, and also a little too far for anything existing in just three dimensions to manage. Timâs sinuses throb briefly and he smells fresh blood and burnt gunpowder for a flashed moment in the dark. And . . . popcorn, weirdly.Â
Heâs never been able to figure out the popcorn.Â
kitten, the Batman says musingly. Tim represses a sigh. Body language, he reminds himself. Justâbody language. Yeah.Â
âYeah,â he says. âMy, uhâkitten and I are gonna go nest.âÂ
Tim will never, ever live down this conversation. Ever. Even if the Batman never mentions a thing about it again and no one else ever hears a word of it, he will never live it down.
#timkon#tim drake#bruce wayne#dc robin#batman#batfamily#wip: a fake cryptid and a real romantic#derpsheep
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Editing Part 4: Worldbuilding Pass
Next up, worldbuilding! We're tackling this before structure, because you don't want to get too far into the weeds, realize a critical component of your story is wrong, and then throw your computer out the window in frustration.
Anyway, when it comes to worldbuilding, there's a lot of moving parts. There is no right or wrong way to worldbuild, but my preferred approach is to worldbuild as the story goes along. Any method works, and you can check out the worldbuilding tag for more. In editing your worldbuilding, you want to think about:
Trimming Front-loading/Info Dumps
When writing fantasy/sci-fi, getting down how the world works can take over the story. In first drafting, this is fine! But when you're trying to clean that draft up, it's better to weave this information in as you go.
Need to explain how the giant mechas guarding the city operate? Maybe your main character is trying to steal some precious alloy from one, giving you opportunity to explain how they work and how society feels about them. Have a magic system that relies on singing tunes? Show that off by having students practicing, or dueling rivals taking it too far.
You probably know by now that the thing you should avoid the most is "as you know" dialogue dumps - characters explaining concepts to each other that they both clearly understand. Another, weaker version of this is the "magic class" trap, where things are explained to the main character and the reader. A classroom environment is fine, but pair worldbuilding with action - demonstrations get out of hand, spells go wrong, etc. Make it fun!
Your World Needs Clear Rules (Sorry)
Listen, this is the part I hate. I have a WIP with the word "Rules" in the title and I'm still figuring out what those rules are. Argh. But the sooner you know the rules, the easier editing will be. The more clear those rules are to the reader, the more impactful breaking them will be.
If the rules of the world (you can't use warp speed too close to a planet's gravitational pull, the same type of magic cancels each other out) and the consequences of breaking them are clear, the pay-off will be satisfying for both you and the reader.
Use Your Environment to Your Full Advantage
You've no doubt heard 'make setting a character' and that's evergreen advice. Some of the best books out there are those where it feels like you could step through the page and into a real place, be it your childhood middle school or Narnia. Getting that feeling, however, is more than just describing a place really well.
Mood - How does the location make you feel? Does a dark, cramped room leave the characters with a feeling of dread? How would that feeling change if it was an overstuffed library with comfortable chairs?
Weather - Beyond the 'dark and stormy night' descriptions, weather impacts our daily lives and is often overlooked. A rain-drenched funeral scenes seems like it's the way to go, but how differently would that scene feel if it was a sunny day with birds singing?
City Versus Countryside - These books are a great reference for description, but also take a step back to compare how different situations would feel both in the setting and to your character. Quiet can mean very different things depending on where you are. A morning fog in the countryside might feel comforting to someone used to it, but to someone new to that environment, it might feel creepy. Think about both your environment and how your character reacts to it based on their backstory.
The Empty Room Problem
This is always a big challenge when moving from the first draft bare bones basics to fleshing things out. How much description is too much? (As a note, it's always okay to overcorrect - you'll have a chance to fix it later!) This post from @novlr has a lot of great questions - but you're still going to narrow it down to the most important details.
Escape the Movie Setting - You cannot describe the room like it's a movie set. Trying to do so is going to be overwhelming, and important details will be lost in the attempt. If you were to describe your room or your favorite coffee shop and could only highlight four or five details, what would you focus on? What gives the reader the essence of the place rather than a list of things that exist there?
Establish the Essentials - Is this your first character's first time in this room? Is it going to be key to several plot-important scenes? Some big, sweeping details when entering - how big it is, what's in it, where the windows are, how it feels, etc - are good to start with. Your character can briefly admire a full bookshelf in the first scene, and then study it in more detail in the second. If you have one scene in this place and spend too much time describing it, you're going to make your reader think it's more important than it is.
Engage the Senses - Does an old room smell musty? Does the coldness of the woods have a sharp taste? Does touching a shelf bring up a lot of dust? How does the lighting in the room make the main character feel?
Getting down the description of a room or setting is not something you'll nail in one shot, but if you approach each scene asking yourself "does this feel like a real place or a white room?" you can narrow down what's missing.
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Feel free to ignore this if you don't want to discuss it ofc op, but the way the game ultimately failed to me as a narrative about hard choices is because
1) at the first major choice it just... doesn't let you do it
2) it often just doesn't let you sympathise with characters who were forced to choose between two horrible outcomes.
Reg. 1) Minrathous vs Treviso. As far as I remember Rook did not give the impression of knowing that the dagger could give them any advantage in the fight (correct me if I'm wrong tho) so really we just sent 3 people here, 3 people there. I kinda expected the quest to be just about that, the refusal to make a choice and commit to it. But no, everyone acted like Rook's presence alone determined which city will be saved, which baffled me for the rest of the game.
And 2) I'm mainly getting at Solas' choices in his memories, Ivenci and Isseya (oh boy, Isseya). And I suppose I could acknowledge that basically no characters want to think about those three in any positive light, fine. But I'd appreciate Rook having a chance to be a bit more understanding. Instead we all approach them with an air of such a moral superiority.
Solas kills his agent. Who is blighted. It's the best thing he could do, it's incurable, she would die horribly (and a GW Rook at least should know it), but our companions kinda act like she'd broken a leg and he didn't want to risk carrying her to safety. Then he sacrifices the spirits to get the dagger. A horrible choice, maybe even a betrayal on his part, but I can easily imagine a Rook that believes that he did a necessary thing (also, Felassan being outraged here is interesting, considering how fucking ruthless he was in The Masked Empire; obvs A LOT has happened until the book, he could change completely, so it's not really a criticism I suppose, just - interesting).
Ivenci is made to be a very cartoonish villain. Everyone and their mother said their piece about the Crows and their morality, but even aside from that - what Ivenci did was just that, making an impossible decision with no good outcomes. And again - I would appreciate a possibility to approach from a place of understanding.
And Isseya, oh, Isseya. That one just pisses me off the most, I think, given how the quest hammers in CONSTANTLY what an evil traitor she is. Again, I understand the characters might be bitter and I understand them not wanting to extend her any good will, but as a player and someone who read the books... It just hurts man, you know? Not being able to acknowledge how fucking awful the situation was, and that they supposedly did what they thought was necessary. How they *didn't want to*, how it destroyed them mentally, but how it ultimately saved the world. (The moral superiority hurts the most here, I think. Good god, people, you're Grey Wardens, moral ambiguity is your daily bread. Don't act so high and mighty.)
Again, don't wanna rain on your parade, op. I enjoyed the game, I know it got tons of hate already (valid and not, but it can be exhausting either way), but this is one of my main issues with it and I can't let it go. It really reads as some being privileged and looking down their nose on others who did not have it so lucky.
Me up again metaphorically pacing my room thinking about how datv is a game about hard choices that don't have a right or wrong answer (but the answer you choose still shapes you and your relationships the same way it shaped Solas and his own relationships)
and a game about regret for things you had no choice but to do (the same way Solas had no choice but to struggle against the rule of the evanuris including his best friend/lover/elder sister)
and a game about how even then you ultimately did have a choice (the same way Solas could have refused to make the dagger or could have allowed flemythal to do whatever she had planned or could have not tried to tear the veil back down which he knew would kill everybody before it fixed anything)
and a game about how sometimes you do your best and do things for good reasons and you still fuck up and you can't save everybody and people will still be frustrated with you (the same way the veil was an accident and Solas was only able to save a tiny fragment of mythal and even that fragment seems bitter about him holding her there even though he does it out of love)
and a game about what leadership does to its leaders (the same way Solas killed his blighted allies, the same way he betrayed felassan, the same way he ultimately betrayed the shard of mythal in flemeth)
and a game about GRIEF and how rook is trapped in it and not being allowed to move forward by blood magic, and how grief cages you (the same way Solas feels caged by the loss of mythal and he's just as trapped as rook is but it's of his own free will and how he uses rook as a method of self absolution for what he did to Varric)
and how every character arc and story touches on at least one if not multiple of these points and how it's all layered in with area quests, side quests, main story quests, that do the same thing. I'm tired of feeling like I have to qualify my praise of datv with "it has problems" because it's a fucking dragon age game. They are all, in their own ways, hot messes. Each one has its weak hinges and its stress points but the level of sheer thematic cohesion and thought in datv is absolutely fucking unparalleled and I don't think I'm wrong to say so
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do you have any ellabs headcanons :3
big mistake asking about that because now i canât stop talking... those two are my babies!!!
els is so :3 x abs whoâs more like :) đââïžđââïž
ellie wears belts because her pants are like three sizes too big. they fall down, her boxers showâusually her minecraft onesâso she wears studded belts or something to keep everything in place. (abby has this talent for pulling off belts with one of her big, veiny hands⊠yeah, ellie basically had a visual orgasm just watching her take it off her waist... yes đââïžđââïž)
ellieâs favorite activity? oh man⊠definitely playing video games lying on the couch, her head on absâ bare chest, while abbyâs busy reading a book. ellieâs left hand manages the joystick, and the other oneâs tracing and feeling andersonâs abs because theyâre so firmâŠ
abby has just a few freckles on her face but a lot on her shoulders and back, while ellieâs freckles are more noticeable on her face.
they get along pretty well with each otherâs parents. joel and abs will roll their eyes at the same time at ellieâs dumb jokes, trying not to laugh, and end up chatting about old rock or country stuff. abs is polite and respectful, BUT ellie with jerry? theyâre way too comfortable with each other, always joking around. ellieâs also kind of obsessed with jerryâs job, so⊠yeah, sheâs always asking him questions.
(they each keep baby pictures of the other. abby has a pic of ellie at the dinosaur museum in her wallet, and ellie has one of abby with a giraffe on her nightstand)
abbyâs hair is wavyâi donât care, itâs my headcanon. itâs usually braided, but when itâs down, itâs long, blonde, and wavy đ„°đ„° also, yes, sheâs braided ellieâs hair more than once and ofc ellie likes two braids instead of one.
(oh and teenage abby used to straighten her hair, but now she doesnât even care)
anderson knows how to sail, and in the summer, they spend a lot of time on the boat. ellie just sits on the edge sketching while abby applies sunscreen on her shoulders with gentle massages.
ellie doesnât wear bras, and abby is obsessed with her in white tank tops when everything shows throughâjust hot. abby does wear bras, but nothing fancyâsimple black or white basics. no lace lingerie or anything.
abby wears reading glasses because her dad told her to take care of her vision. ellie? she NEEDS glasses because she canât see anything far away, but she refuses to wear them because she says sheâll look like a ânerdâ (even more than she already does)
ellie loves slipping her hands under abbyâs shirt, hugging her from behind, fingers tracing her strong muscles, brushing past the light hair, down to the waistband of her boxers. she rests her chin on abbyâs shoulder, giving her soft kisses on the neck.
abby? sheâs shamelessly obsessed with ellieâs ass. if ellie bends over, abbyâs gotta smack it. when ellie wraps her arms around abbyâs neck for a kiss, abs canât resist reaching down to give her a squeeze. yeah... đââïžđââïž
someone please stop me and forbid me from TALKING!!!
#âïœĄË sofii's anons !#ellabs#ellie williams#abby anderson#lesbian#ellie x abby#ellie tlou#abby tlou#ellie the last of us#abby the last of us#ellie williams tlou#abby headcanons#ellie headcanons#abby anderson headcanons#ellie williams headcanons#if you get it you get it#abby x ellie#tlou ellie#tlou abby#ellie williams the last of us#ellie tlou2#abby tlou2
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I am a trans man who abandoned my previous account because i needed to leave the community.
The trauma and self hatred runs so deep that despite it being months i still can't think of my masculinity as anything other than wrong. Not just that, but leaving made me happier. Not having community made me happier. Think about that.
At least now I can see i deserve better. But it's hard knowing that my love and support was so summarily rejected by the transfems on this site.
i'm really sorry you've had to go through this, anon. you shouldn't have to do that
the thing is people don't realize that while this online fighting is pointless, it does hurt people. and it can cause genuine trauma because it IS abuse. abuse doesn't have to occur in person to be legitimate. a lot of acts of abuse and violence can be committed remotely with modern technology. basically anywhere people can interact, abuse can happen. this is actually hurting and scarring people in real ways and we need to acknowledge this
Not just that, but leaving made me happier. Not having community made me happier. Think about that.
the fucked up thing is i feel the exact same way. i interact with community on here in order to educate but outside of this, i currently do not interact with the queer community. once im off this blog, i'm not really interacting with queer community, i will talk to my queer friends and engage in my own queerness, but i am not thinking about the community for the vast majority of my day. i'm not interested in trying to casually go to a trans space and be misgendered all the time.
i immersed myself in my local punk community last year and all that happened to me was that i got a lot of hollow compliments, condescended to, talked over, fetishized, treated as a sex object, descriminated against, had people stop respecting me the instant they found out i was a trans man, had people try to tranny chase me for being a trans man with a vagina, got called too whiny and emotional, got accused of hating trans women because i'm a transmasc lesbian, got mocked for not having a penis, watched my roommate treat me with annoyance that wasn't there prior, felt alienated in my own home, and just in general felt ashamed that i wasn't an amab trans woman, because those were the only trans people who hung out there for any substantial amount of time
the transmascs and trans men never hung around for too long. the majority of the trans punks who showed up were transfem. like. almost all of them. it was rare to find another transmasc, and i can work a crowd, i don't feel scared or uncomfortable in crowds, so i will talk to just about anyone who acknowledges my presence. i met so many transfem punks that i've lost count, and about 3 or 4 transmascs. it frustrated me and took a while for me to realize why. that place was deeply transandrophobic. the regulars did not treat transmascs with kindness. i was actually sexually assaulted by one of the transfems there multiple times, and had another that was trying to come on to me because i have to do stretches for my lower back or else it locks up, and she saw this as an invitation for sex. my ex gf started treating me completely differently the second she discovered i didn't have a penis, to the point of actually progressing to yelling at me for being too whiny and emotional. the cis gay men that were there would talk about how breasts and vaginas were gross because they were gay men right next to me.
after leaving that community i feel so much better. i'm basically on my own, i don't mind it, that's how i like to live my life as a schizophrenic person, but outside of the way i interact with the community as someone who participates in education and activism, i don't really interact with queer communities. i'm tired of being harassed, targeted, insulted, misgendered, sexualized, and getting sexually assaulted.
this is the really sad truth right now. transmascs and trans men in particular usually live outside of queer communities. we are so alienated. that's the entire reason people think we don't exist. it's because so many people will not let us exist inside of queer spaces, so we have to live elsewhere. so many trans men end up having to have mostly cishet friends to avoid drama and harassment. it's not that we don't exist- it's that a lot of people just will not let us take up space in queer communities long enough for people to see how many of us there are. there are a lot of us, but we aren't being allowed to exist inside of queer spaces, so people trick themselves into thinking we're not real trans people
you do deserve better. i hope in time the trans community learns to treat trans men better. you don't deserve to have to alienate yourself like that, but that's just how things are right now. take care of yourself. you're important even if people don't want you to feel like you are.
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Okay, okay, okay, these are the things I've been constantly considering while trying to build my own interpretation of the C! DSMP world, and I have a lot of contradicting and conflicted ideas, but here's some of my thoughts(warning, this is a ramble):
1. In terms of time, I have considered stretching it out so the entirety of DSMP takes place in about the span of 10 years, but I didn't like the idea of stretching out the timeline too much or dramatically aging up(like making C! Wilbur older than 30) or aging down(like making Tommy and Tubbo 9 during L'manberg) characters, so I only made some minor changes to make the timeline fit the lore better without having to extend it too much. L'manberg started when Tommy and Tubbo were 13-14(I thought about 9 or 11 but only use that for extra plot drama in other AUs using canon lore), the L'manberg Revolution(started when Tommy was almost 15) and Pogtopia/Manberg lasted a few months longer than originally, and Fundy is a kind of shapeshifter(limited to only fox traits though) so his aging is different to humans and most hybrids. He either manifested into existence already around 14-18 or ages much quicker than humans in his pre-adult stage(he ages normally once he's physically 18). Tommy's 2nd Exile is also longer, lasting up to a year probably, so this would be while Tommy was around 16.
2. I have been debating with myself about if I should make the server more populated for extra effect during the wars(because yeah, the whole massacre point) or if I should leave it be. I really wanted to limit it to just the server members because L'manberg didn't feel as personal with it being so much more populated, but at the same time I liked the idea of L'manberg having an actual army and Las Nevadas actually being a booming city. So, to compromise, early L'manberg(before the Revolution) only consisted of the server members, but once the Revolution began, more people were allowed to join to help with the fighting and supplies. It still only had a population of under a thousand though and wasn't that crowded. Most of the background citizens were either extra soldiers or were working to gather resources for the Revolution. Then, once L'manberg became Manberg under Schlatt's control and the walls were torn down, people flooded into Manberg and the population increased to a few or several thousand and became more developed. Another thing I wanted to add was, of course, Las Nevadas's population, which would be at least 10k since it would feel weird to keep an entertainment country like that mostly empty. However, around C! Quackity's first finale(before the multiverse finale stream), the city became more or less abandoned. Overall, DSMP isn't as populated as our world, partially because in my headcanons, DSMP is more like an island or a relatively small continent than an entire world.
3. Elaborating on how DSMP related to the rest of the world, it can go three ways depending on which of my interpretations of C! DSMP we're talking about. The first one, which is where the population in DSMP is how I described above, it's basically just a continent people can choose to travel to but was likely recently discovered, hence why there wasn't much civilization. Concept two, which would be where the population stays relatively the same to original DSMP(possibly besides a few dozen more people), it was an island or series of islands entirely created by DreamXD far away from any other land for a sort of social experiment or game for XD as entertainment. XD created Dream to act as the host of this "game" and to invite "players", then interact with them to make something entertaining. DSMP is protected from uninvited outsiders through conflicting currents to avoid drifters, an island border(which is basically the Minecraft world border) that only allows registered "players" to enter, and thick fog to prevent outsiders from spotting the island. In this interpretation, the outside world is largely like our world, maybe even with the same continents, countries, and cities. And finally, the third interpretation is that each server is actually just it's own piece of land in the world isolated from each other. These servers could either all exist in a single planet or are a part of a never ending world(like infinite world generation).
Anyway, I'm not getting into the world building of magic and how Minecraft mechanics translate into DSMP because that would take way too long, and I also won't get into my character designs and the reasoning behind it because not only would that also take too long, but it's already been shared and discussed a thousand times before.
one of the things i love the most about dsmp is the fact that no one has the same version of it. the most obvious example is which streamer's POV you watched, but it goes way beyond that because mcrp requires a level of suspension of disbelief and also of filling in the gaps, fleshening things out, in order to make it usable for fancontent.
for example, the fact that apart from the minecraft skin there is no actual guideline for how to see the characters, hence the dsmp creaturification of fan designs we've been over a million times. but it's not just that!!
the fandom also has so many different relations to time in the dsmp. some take the canon timeline but then you run into problems like c!fundy's age â so then either he's actually a 20 year old that c!wilbur adopted and treats like a baby, or perhaps fox hybrids have a very abrupt exponential growth spurt, or perhaps l'manberg wasn't a few months but a few years!
and then this brings into question the matter of scale â how populated is the server? is it truly only the actual streamers/characters, and so when we talk about a "war" do we really just mean like 10 people fighting each other with swords? or perhaps there's a couple dozen, unnamed, background characters? and i've seen people increase the scale even more! make l'manberg a real, albeit obviously small and budding, country-city of a few hundred inhabitants, that perhaps grows into a lifesize scale fortified city during new l'manberg.
and then everything takes on such a different tone. if theres 30 people on the server, the final control room was a betrayal and destruction of friendships, november 16th was the grief and anger for a friend and the symbolic destruction of the country, and doomsday was another symbolic show of whose alliances everyone values, and the weariness of having to rebuild it. if there's a few thousand people? all of those were massacres.
how can we even be talking about the same characters when for some of us the worst they've done is blow up some houses with no cost of lives, and for others they have razed to the ground actual nations? depending on how you read it and how much you flesh it out, dsmp is either mainly about symbols and interpersonal relationships, or it can be some game of thrones shit. it's completely fucking mental. i'm so in love with it
#nekole's rambles#late night ramblings#late night rambles#ramble#rambling#rambles#ramblings#dsmp lore dump#dsmp lore#dsmp headcanons#headcanons#as you can clearly tell i am very normal about dsmp and i think about it a *normal* amount
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